Meet David Harmon | Practicing Potter

We had the good fortune of connecting with David Harmon and we’ve shared our conversation below.

Hi David, do you have a favorite quote or affirmation?
I had the privilege of studying under James Watkins, Vernon Funk and Sara Waters while at Texas Tech. James Watkins once said, ” Pottery is not about perfect forms, but about connection–connection to the earth, to the process, and to each other.

Teaching my students about clay often becomes a journey in self-discovery. While they focus on achieving perfect forms, I am reminded that the true growth in pottery comes not from perfection, but from the process itself. When I guide them, I learn something new about my own approach and artistry, realizing that the beauty of clay lies in the imperfections and the freedom to experiment. In this way, teaching becomes a shared experience of exploration, where both my students and I grow through the very act of creation.

Can you open up a bit about your work and career? We’re big fans and we’d love for our community to learn more about your work.
For much of my life, I didn’t see myself as a creative person. I felt a deep responsibility to provide for my family, focusing on work to ensure we had what we needed. Later, as I raised my own family, I set aside my love for pottery for nearly 20 years. It wasn’t until I retired from corporate life that I could fully embrace my passion for clay.

Returning to pottery felt like reconnecting with an old friend—familiar, yet brimming with new possibilities. The simple act of centering clay on the wheel became meditative, grounding me while opening a world of creative exploration. This deeply personal and transformative experience reminded me how much this art form feeds my soul.

My journey with pottery began at Texas Tech University. After three years studying architecture and engineering, I took an introductory design class—and I loved it. During my senior portfolio classes, I was introduced to clay for the first time. Working with it felt natural, like creating instant art, and it opened a world of creativity I hadn’t imagined. Even so, balancing my desire to create with the practical need to make a living was a constant challenge.

When I moved from Lubbock to Dallas, Texas, I began my career as a graphic designer, working with some of the largest service and tech firms in the world. Yet, I never let clay drift too far from my life, continuing to refine my skills at a local junior college. Now, after decades of building relationships in a professional career, I’ve returned to pottery with a renewed focus. I’m not just creating functional pieces anymore—I’m exploring artistic designs that reflect my growth and experiences.

Today, my work is inspired by the timeless beauty of nature and the surroundings of Galveston, Texas, where I’m a fourth-generation descendant. My pieces evoke a strong functional purpose infused with the beachy tones and textures of the island. They reflect the harmony of imperfection while striving for an ever-elusive sense of perfection. Clay is more than a medium for me—it’s a mirror of life. It teaches patience, adaptability, and the beauty of impermanence. With each piece, I feel I’m telling a story—not just my own, but one that resonates universally.

This year, a transformative trip to Italy and England deepened my connection to clay. Walking through historic ruins and museums, I was reminded of clay’s dual role as both a functional material and a medium for art across centuries. At Wedgewood, I took a throwing class that introduced me to a fresh teaching approach, simplifying the process for new students—an insight I’ve since shared with others. This journey broadened my perspective on clay’s history, creativity, and utility.

Teaching has become an integral part of my artistic journey. In my classes, I focus on helping students discover their own rhythm with clay. I encourage them to embrace imperfections and see mistakes not as failures but as vital parts of the creative process. The joy lies in the journey—the moment when their hands and the clay seem to speak the same language.

Looking ahead, I’m working toward opening my own studio—a space where I can create, teach, and inspire others. I firmly believe every artist has something unique to offer and that discovering your potential often requires taking risks. One of the greatest lessons I’ve learned is that the fastest way to see if something works is simply to try it. Proceed without certainty, and let the process guide you.

After 40 years of an on-and-off relationship with clay, I feel like my journey is only just beginning.

Let’s say your best friend was visiting the area and you wanted to show them the best time ever. Where would you take them? Give us a little itinerary – say it was a week long trip, where would you eat, drink, visit, hang out, etc.
I have deep roots in Houston, and I’d start our day in The Heights, a neighborhood that perfectly blends historic charm with a vibrant, modern culture. Growing up, I attended high school off Westheimer and Hillcroft, an area filled with its own unique energy and diversity. I have fond memories of hanging out with friends at International House of Pies, grabbing a slice at Shakey’s Pizza, or spending hours at Sound Warehouse and Peaches Records off of Kirby, sifting through albums to discover the latest music to share. During those formative years, I worked at an art and antique store, where I was exposed to a wide range of artistic styles and historical designs. This early immersion in the world of art and creativity sparked a lifelong passion for design and aesthetics, shaping the perspective I bring to my work today.

To kick off the day, breakfast at Lola’s is a must. This cozy, diner-style spot is known for its hearty comfort food, and their chicken and waffles—crispy, golden, and perfectly sweet—is a favorite of mine. Afterward, we’d take a leisurely stroll down 19th Street, a vibrant area filled with unique boutiques, art galleries, and antique shops. The retro vibe is unmistakable, and the street is brimming with opportunities to discover one-of-a-kind treasures. A few of my favorite stops include Jack Rabbit Gallery, which features contemporary and local artwork, Kaboom Books, where you can lose yourself among the stacks of rare and well-loved titles, and Vinyl Edge (I have extensive album collection), a haven for music enthusiasts with its eclectic collection of records.

From The Heights, we’d head to Sawyer Yards, one of Houston’s most exciting creative hubs. This sprawling art district, which includes The Silos, is home to a thriving community of artists. Walking through the studios and galleries, you can meet these talented creators, watch them bring their ideas to life, and admire their finished works. The energy here is contagious, and it’s impossible to leave without feeling inspired by the sheer breadth of creativity on display.

Next, we’d visit The Village, a dynamic area brimming with international flavors and live music. Whether you’re craving Mediterranean, Thai, or classic Tex-Mex, there’s something for every palate. As the sun sets, the area comes alive with live performances, making it a perfect place to relax and soak in Houston’s vibrant cultural scene.

If you’re staying for a week, Houston has plenty more to offer. Catching a game from one of our iconic sports teams—the Texans, Astros, or Rockets, depending on the season—is a must for sports fans. A visit to NASA’s Space Center Houston is another unforgettable experience, with its fascinating exhibits like the Saturn V rocket and a behind-the-scenes look at space exploration.

For art and culture enthusiasts, the Museum of Fine Arts Houston should be at the top of the list. Its diverse and impressive collections span everything from Renaissance masterpieces to groundbreaking contemporary art. The museum district as a whole is worth exploring, with its world-class institutions offering something for everyone.

Finally, no trip to Houston is complete without a visit to Galveston. Just an hour away, this coastal city is a blend of history, art, and relaxation. During ArtWalk, you can meet local artists, explore various galleries, and immerse yourself in the creative energy of the island. Strolling along the Seawall, you’ll enjoy the fresh ocean breeze and scenic views, while a visit to The Strand offers a glimpse into the island’s rich history through its beautifully preserved 19th-century architecture and unique shops.

Shoutout is all about shouting out others who you feel deserve additional recognition and exposure. Who would you like to shoutout?
My wife, she has supported and encouraged me through this journey.
My mentors at Texas Tech University, Vernon Funk, James Watkins, and Sara Waters helped me understand the importance of clay, the functionality of pottery and to never fear of trying something new. Vernon Funk said “If it is suppose to be functional, it should be functional”. This thought of functionality as always stuck with me.
Artist, Karmien Bowman, (Yarmouth Studio) professor Tarrant County College and friend; the courage to be creative while remaining true to the functionality to the piece.
Artist, Amanda Barry Jones, instructor and Galveston College Department of Art Head; with her and fellow classmates they provide and offer inspiration and an open forum for sharing ideas.

Website: https://Www.etsy.com/shop/HarmonPottery

Instagram: @HarmonPottery

Facebook: https://Www.facebook.com/harmonpotterystudio